-
プロコフィエフのピアノ協奏曲第3番は、とびきり美しい旋律を持っているばかりでなく、攻撃性や先進性も兼ね備えた傑作である。ロマンティックでモダニスティック。プロコフィエフらしい異能の才気が迸り、かつて存在しなかったようなサウンドフォルムを形成している。作曲時期は1917年から1921年。ロシア革命の年に着手され、日本を経由してアメリカに亡命した頃に書かれた。完...
[続きを読む](2013.10.31) -
何度聴いても飽きないだけでなく、文字通り一日中繰り返し鳴り続けていても受け入れることが出来る音楽がある。ひとつの曲を延々リピートし、疲労や飽和を感じず音の波に耳を預けていられるというのは、よほど生理的・性質的に合っているのだろう。私にとってそういう音楽作品のひとつがラモーの「ガヴォットと6つのドゥーブル」である。ジャン=フィリップ・ラモーは1683年にフラン...
[続きを読む](2013.10.17) -
アルトゥーロ・ベネデッティ・ミケランジェリは、同じ作品を徹底的に繰り返し練習し、表現の細かい部分まで磨き上げ、精巧無比な技術と強靭な理性をもって感情の抑揚を統御し、コンサートや録音に臨んでいた。1971年にドイツ・グラモフォンと契約してからの一連の録音は、まさにそんなミケランジェリの美学の結晶といえる。そこには一回性の感情表現はなく、完璧なアーティキュレーシ...
[続きを読む](2013.10.04)
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