楽の森
不滅の作曲家・作品一度聴いただけなのに忘れられない音楽。なんとなく繰り返し聴いている音楽。
それらはどのようにしてこの世に生まれたのだろう。
ここでは作曲家/作品に焦点を当てながら、作曲経緯やエピソードを紹介、
森のように深いクラシックの世界に踏み込みたい。
文●阿部十三
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チェロの聖典といわれるJ.S.バッハの無伴奏チェロ組曲は、ケーテンの宮廷楽長として活躍していた1720年頃に完成したとみられている。つまり、無伴奏ヴァイオリン・ソナタとパルティータが書かれたのとほぼ同時期である。自筆譜は今日に至るまで見つかっていない。「1720年頃の作曲説」は、無伴奏ヴァイオリン・ソナタとパルティータの自筆浄書譜に「通奏低音のないヴァイオリ...
[続きを読む](2014.05.21) -
パウル・ヒンデミットの『ウェーバーの主題による交響的変容』は1943年8月に完成し、翌年1月にアルトゥール・ロジンスキ指揮のニューヨーク・フィルにより初演された。アメリカ時代、ヒンデミットは『キューピッドとプシュケ』、『エロディアード』、『シンフォニア・セレーナ』などを作曲しているが、それらの中で『ウェーバーの主題による交響的変容』は最も大きな成功を収め、現...
[続きを読む](2014.05.02)
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