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ヒット曲を書いてスターになってやる！と野心を持つことが、ロック界ではカッコ悪いと見做されるようになったのは、ニルヴァーナが登場してアメリカのオルタナティヴ・ロックが台頭してからだろうか。1980年代までは、いわゆる「セルアウト」というコンセプトはなかった気がする。殊に階級社会の英国では、ワーキング・クラスの若者が社会的地位と富を手にするには、ポップスターにな...
[続きを読む]（2015.04.23）
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